Adults only (18+). Fictional characters only. Private by default.
Adults only (18+). Fictional characters only. Private by default.
HaiwaiNavigation is kept like a quiet room built around one wide table: deep teal walls in low mint-green light, and across the wooden chart table a single large sheet of parchment — the paper completely blank from edge to edge, with no coastlines, no route lines, no grid, no stamps and no lettering of any kind drawn or printed on it, held flat by two plain brass weights. The chart in the name is that empty sheet and nothing more: the picture language of this room is a journey described once and kept to, the way a set is kept here — one character, described once on her charttable card, and worked from that card at every step. No voyage is planned, booked or guided at this address in any other sense; the parchment is a prop, and it charts nothing. Register one fictional adult character, write her charttable card once, and every tool in the room — stills, video, edits, swaps, finishing — works from that same card, in the same order at every step. Costs are quoted before a job runs, results rest private in your account until you release them, and a failed job refunds itself. No anonymous use, no mystery pricing: a blank sheet on a wide table, a card, and a clear price sheet.
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Most studios make you re-describe your character at every tool and then wonder why she changes. HaiwaiNavigation keeps one charttable card at the near corner of the chart table and passes it down the line, handled the same way every time. The Charttable card beside each tool states its input, output and price before you commit a single credit, and credits themselves are studio credit only, with no cash value and no way to exchange or redeem them. The blank parchment is the picture language of this room and nothing more: an empty sheet, kept for portraits.
Text-to-image for fictional adult characters. Write her charttable card once and hold every later job to it.
In MotionText-to-video and image-to-video. Give a proven still one clear movement, quoted by duration and resolution first.
Guarded · TransformConsented transformations of your own photographs and your own generated characters. No one else’s material, ever.
RepairsOne precise change at a time — wardrobe, setting, light — for frames that miss by a single detail.
Hold the FaceCarry her face onto new stills, so a whole set still reads as one and the same woman.
FinishingFinished clips brought up to the size their destination requires. Finishing is the last stop, never the first.
Age, hair, build, face and one signature detail, in fixed lines you paste rather than retype. A card rewritten from memory drifts; a card pasted word for word holds.
Stills first, then motion, repairs and finishing — each job shows its exact credit cost before you confirm it, and each result is judged against the card before it is kept.
Everything rests private in your account. Upscale and publish only what earned it; the gallery shows only what makers deliberately put there.
The gallery shows only the frames and clips their makers chose to put on display. The house default is private; appearing here is always a deliberate decision by the person who made the piece, never an accident of the system.
Registration is free, and the daily check-in covers one standard picture a day. When the workload outgrows that pace, one-time credit packs wait at the pricing page — no subscription, no silent renewals.
Start in the chart table roomProduction notes on character consistency, prompt systems and delivery specs.
An upscaler raises resolution, not fidelity. Judge motion against the record, at the joins, before finishing money is spent.
Feelings are generous after an hour of generating. Five checks you can run in under a minute, and the threshold a frame…
A character stays herself because her charttable card never changes. The five fixed lines, the version habit, and what to check when…
Your image is deleted after generation.
Browse filesFailed jobs are refunded automatically. Results land in My Collection.
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